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Rio 2016: The Opening Ceremony Was a First Live Dolby Atmos BroadcastRio 2016: Globosat’s SporTV Captivates Olympic Fans in BrazilO2 Filmes Relies on DaVinci Resolve, Fusion 8 Studio for Rio Opening Ceremonies VideosLive From Rio 2016: NBC Olympics Tackles HDR, Atmos SurroundLive From Rio 2016: NHK Takes 8K Production to New Level
NAB 2016 Award Round-up, Part 2: NewBay Media’s TV Technology Best of Show Awards and ProductionHUB’s Awards of ExcellenceNAB 2016 Award Round-up, Part 1: Studio Daily Prime Awards, IABM Game Changer Awards, and Post PicksNAB Perspectives: At 45, For-A Charts Path for Future — for Its Customers and the IndustryNAB Perspectives: JVC Camcorder Integrates Sports GraphicsNAB 2016 in Review: Looking Through the Haze
Breaking the Pictures Barrier: Why Television Research Began in 1877 (and why no one knows it), SMPTE Long Island Sub-Section, MultiDyne, Hauppauge, New York, March 28What the H? Did Pittsburg Give Us Our First Letter? By Mark SchubinFrom CRT to Ultra HD – breakthroughs in TV technology which have changed the way we watchSony’s new tech allows for 960fps (!) video capture on phonesBBC iPlayer makes record-breaking start to 2017 as personalization begins
Mark Roberts Motion Control highlights IP-based player-tracking robotic camera systemThe Schubin Cafe: Virtual Reality for StorytellingIBC2015 Q&A: Evertz’s Mo Goyal on ASPEN protocol, NBA Replay Center, and the Move to IPIBC2015 Q&A: Vislink’s Ayes Amewudah on HeroCast, UltraCoder, and 4K MotoGP ProductionIBC2015 Q&A: Tedial’s Jay Batista on the ‘Evolution’ of Content Management