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Rio 2016: The Opening Ceremony Was a First Live Dolby Atmos BroadcastRio 2016: Globosat’s SporTV Captivates Olympic Fans in BrazilO2 Filmes Relies on DaVinci Resolve, Fusion 8 Studio for Rio Opening Ceremonies VideosLive From Rio 2016: NBC Olympics Tackles HDR, Atmos SurroundLive From Rio 2016: NHK Takes 8K Production to New Level
NAB 2016 Award Round-up, Part 2: NewBay Media’s TV Technology Best of Show Awards and ProductionHUB’s Awards of ExcellenceNAB 2016 Award Round-up, Part 1: Studio Daily Prime Awards, IABM Game Changer Awards, and Post PicksNAB Perspectives: At 45, For-A Charts Path for Future — for Its Customers and the IndustryNAB Perspectives: JVC Camcorder Integrates Sports GraphicsNAB 2016 in Review: Looking Through the Haze
Shambling corpse of 3D TV finally falls down deadLove your 3D films? Then sign this petition to TV manufacturers dumping 3D TVsCES 2017 kicked off the year 360-degree and VR capture could hit the mass marketNew TV service by BBC to challenge Netflix, Amazon‘La La Land’, ‘Rogue One’, ‘Hacksaw Ridge’ Among Cinema Audio Society Nominees
Mark Roberts Motion Control highlights IP-based player-tracking robotic camera systemThe Schubin Cafe: Virtual Reality for StorytellingIBC2015 Q&A: Evertz’s Mo Goyal on ASPEN protocol, NBA Replay Center, and the Move to IPIBC2015 Q&A: Vislink’s Ayes Amewudah on HeroCast, UltraCoder, and 4K MotoGP ProductionIBC2015 Q&A: Tedial’s Jay Batista on the ‘Evolution’ of Content Management