Live From Rio 2016: ESPN’s IBC Facility Brings Nations Together; VER Is Key in Making It Happen
Viewers in Brazil, Argentina, and the Caribbean rely on 'Worldwide Leader' for Olympics coverage
Viewers in the U.S. may not know ESPN as the home of Olympic sports, but viewers of ESPN Brazil, ESPN Argentina, ESPN Deportes, and ESPN Caribbean do. As a result, sports-TV giant has plenty of reasons to have a big presence at the 2016 Rio Olympics International Broadcasting Center.
“A lot more people came out from the networks,” says Claude Phipps, senior remote operations specialist, ESPN, “and we are all in one area. [For the 2012 London Olympics], Brazil and Deportes were separated, and Argentina was in the IBC. But here everyone is in one place, and there is more sharing content and facilities. It’s a big step up.”
Television coverage includes at least two dedicated networks in each region with 15+ hours of daily content per network, with simulcasts on ESPN Play and WatchESPN (Brazil). Live coverage is complemented by studio programming produced across the Rio de Janeiro region.
ESPN Brazil, for example, is covering all major events, including Olympic soccer and competitions featuring the Brazilian teams and athletes. ESPN Argentina is doing the same for Argentinian fans. And ESPN and ESPN2 in Spanish-speaking Latin America will present more than 15 hours of continuous daily coverage per network. ESPN will focus on the most popular Olympic events and athletes, and ESPN2 will cover events with the most local relevance. ESPN3 (Mexico and Central America only) will televise additional events of interest. And, in the Caribbean, ESPN Caribbean will present more than 200 hours of coverage tailored and localized to Caribbean storylines and competitions and with both English and Spanish commentary. For a photo gallery of pictures from the ESPN IBC facility, click here.
“I have some really good partners from ESPN Brazil and ESPN Argentina that are technical leads in their own right,” adds Phipps. “So we tried to build this together, and then they have taken on the intricacies of their group. So, technically, we have something that works for everyone.”
“Everyone” includes nearly 500 people working out of the Olympic IBC as well as in studio locations at the nearby Origami Building and along the famous Copacabana Beach.
“It’s amazing because we have very complex organizations here under one roof and with different ideas about how the operation should work, but everyone is working together as a team,” says Henry Rousseau, senior operations manager, ESPN. “We have different languages and different workflows, but we have been able to accommodate each group’s workflow and integrate them into the operation.”
Production-services and technology provider VER was tasked with the technical integration and worked with the ESPN major-event team and the various networks onsite to define the technologies and workflows in use.
“We accomplished what we needed,” says Phipps. “VER was a great partner, and we have a technical infrastructure and workflows that [enable] all entities [to] interact and share content in a productive manner.”
He notes that each of ESPN’s large-event efforts builds on the previous ones.
“At the World Cup in Brazil, we had media managers and network-control staffers,” he points out. “Here we have extended that concept so you see them working together so they can switch to whatever feed they need for their own network. Each network also has their own server, but there is also a common server so that the networks can share clips and content.”
Adds Rousseau, “It boils down to workflow. During the first event, everyone was ingesting that event, but now everyone realizes how to use the shared server space and resources.”
Each network has its own control room featuring a Grass Valley Karrera production switcher and also shares a portion of a newsroom/content-production area, where it can monitor any of the incoming feeds (each network has a dedicated portion of a massive monitor wall) coming in via 102 fibers that carry the OBS event audio and video signals as well as unilateral camera feeds. All those feeds are made available to the various production teams via nine EVS XT3 servers (with 24 channels of ingest and the rest dedicated to EVS IPDirectors and playout) and a 120-TB Harmonic Media Grid shared storage system.
“Content comes into the Harmonic nearline storage at 10 Gbps and out to the editors in the content-production area at 1 Gbps so that the staff can make clips and then edit on their laptop,” says Robert “Bruno” Brunelle, national director of engineering, VER. “And the shared folder is available to everyone. The beauty is, the Harmonic transfer is fast so the user can grab a clip and there is no delay for the transfer.”
The control rooms, transmission area, and content-production area is tied to a machine room that houses Ericsson encoders for ASI transmission and Nimbra encoders for J2K transmission, an Evertz EQX router, the nine EVS XT3 servers, and the Harmonic Media Grid and Content Grid storage system with 120 TB of nearline storage.
The audio portion of the engine room features an RTS Adam intercom rack with 500 crosspoints, Evertz EQX router, and processing for five Calrec audio consoles and routing that allows any audio source to be called up on any audio console.
“We also are using Focusrite’s RedNet Ethernet-networked audio-interface boxes to move audio back and forth with the studios with a latency to the Copacabana studios of only 3.2 ms of delay, so it is almost instantaneous,” adds Brunelle.
Full flexibility is one of the keys to the facility operations: control rooms can access any audio and video signal needed. In addition, the networks also help each other out so that, for example, if Brazil needs five ingest channels, it can have access to any of the other networks’ unused channels. Other technical facilities include three voiceover rooms and an interview room, where commentary and other audio work can be completed, providing even more flexibility.
ESPN is also using the Dejero LIVE+ Multipoint video network. “Dejero created Wi-Fi hotspots here and in Copacabana that we can use,” says Phipps. “That helps us save a ton of money.”
One technical innovation that has helped make the use of Dejero more comprehensive is an app called Unity, which allows the production team in the field to use cellphones to receive and transmit IFB and communications with the production team.
“With Dejero, you don’t have the infrastructure to connect with the IFB so you need to use cellular,” Phipps points out. “So we have taken the concept of using Dejero [the way] we did for the Pan Am Games and have multiplied it by five.”
According to Brunelle, installation began on July 19, and the original plan was to hand the facilities over to the networks on July 30 and have everyone spend the next couple of days learning the workflows.
“But everyone came out running,” he says, “By the next day, all five control rooms were transmitting.”
One of the interesting cultural features of the ESPN operation is not only that a mix of Portuguese, English, and Spanish is being spoken but also that, historically, the competitive spirit between Brazilians and Argentinians can often resemble that between Boston Red Sox and New York Yankee fans. And there is definitely a feeling of nationalism running through the ESPN facility, especially when Argentina President Mauricio Macri stopped by in the opening days of the Games.
“The ESPN Argentina team was really moved that he came to see them, and there is more of a national pride here, especially because we are in South America,” says Rousseau. “There is a lot of passion.”