From sportsvideo.org
Telestream supports Final Cut Server
By
Apr 13, 2008 - 9:26:45 AM
By Ken Kerschbaumer
Telestream's Episode 5.0 encoding software, introduced at NAB, expands format support to a greater
number of specific digital media workflows for Apple professionals with newly incorporated support for Final Cut Server, RED camera, Cineon and DPX formats.
Also for its core content repurposing to Web and
mobile workflows, the entire Episode family adds support for the latest
Flash 8, Flash 9 and Blu-ray formats. For Apple's new Final Cut Server
media asset management and workflow automation software, Episode
expands format choices beyond QuickTime to virtually any format.
"Episode 5.0 removes bottlenecks and speeds digital media workflows for
a greater number of Apple users in digital production and editorial
environments. The addition of high-end 10-bit 4:4:4 processing makes
Episode Engine a perfect fit for the rigorous demands of digital film
and telecine environments," says Barbara DeHart, VP of Marketing at
Telestream. "With the addition of more formats for Web and mobile
workflows, Episode continues to meet the content authoring needs for a
growing number of new media platforms. We're also pleased to add
support for Apple's exciting new Final Cut Server application."
Version 5.0 adds encode and decode support for Flash 8 VP6s, Flash 9
(H.264) and Blu-ray, keep pacing with the latest new media content
authoring formats. Using Telestream's innovative new Pipeline network
video capture device, Episode users can now easily log and capture
video from tape, schedule recording of live feeds and encode media
while it is being ingested. The 5.0 release also includes a new
high-quality filter for NTSC/PAL video standards conversion which
brings software video conversion to a new level at an affordable price
compared to hardware standards converters.
NAB is Telestream's debut for Final Cut Server integration. Episode
multiformat encoding software now expands format support beyond
QuickTime to virtually any file format for Final Cut Server. This a
great example of how the new free Software Developer Kit (SDK) for
Episode Engine enables easy integration into any workflow. Intelligent
scripting simplifies integration, including monitoring, delivery and
notification of transcoding operations, directly through the
easy-to-use Episode user interface, without the need for programming.
Version 5.0 also extends workflow integration to include media browsing
and importing from Grass Valley K2 or Profile and 360 Systems servers,
plus Sony XDCAM, Grass Valley Infinity and Ikegami Editcam disk-based
cameras.
Episode Engine provides faster-than-real-time encoding through
segmented and distributed processing for the most demanding workflows
involving large, complex files. Version 5.0 now provides support for
RED, Cineon and DPX formats, preserving 10-bit 4:4:4 throughout the
process to provide the speed and superior quality required for digital
film and telecine workflows. Because of Episode's ability to access
QuickTime components, Final Cut Studio users can now gain access to
Apple's pristine-quality ProRes 422 post-production format.
Telestream's Episode encoding applications for the Mac provide
extensive format support, speed, quality and ease of use. Episode is
the only encoding solution that scales from a single desktop to a
fully-automated, multi-node server cluster with distributed encoding
for high-volume and time-critical workflows.
Telestream has also brought Steve Ellis on board as Vice President of
Worldwide Sales. Ellis brings more than 25 years of executive sales and
strategic business leadership experience in the video and
telecommunications industries to his new role at Telestream.
"We are entering a very aggressive growth period where expansion of our
sales efforts will play a pivotal role in the acceleration our
business," said Dan Castles, CEO at Telestream. "This role will be
crucial in helping us achieve our rapid business growth. Steve brings
many years of deep industry knowledge, as well as a successful track
record of scaling business growth, through his leadership of worldwide
sales organizations and channel teams."
Previous experience includes an extensive background in the
professional video industry, where Ellis lead domestic and
international sales teams for Chyron Corporation, a leading provider of
broadcast graphics and newsroom integration solutions, Vizrt Americas,
and Pinnacle Video Systems. Former positions also include ownership and
management of a successful regional broadcast dealership in New York
and directing corporate media services for AT&T.
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