Blackmagic Design Releases Software Update for Broadcast Monitoring Support
Blackmagic Design released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.
Desktop Video 9.2 beta 1 for Mac OS X is available for download now and is free of charge for all Blackmagic Design customers. This update includes support for all current DeckLink, Multibridge, Intensity, and UltraStudio models.
Broadcast monitoring in Final Cut Pro 10.0.3 allows video output to external monitors and other equipment using the SDI, HDMI, or analog video outputs from Blackmagic Design video hardware.
Desktop Video 9.2 beta 1 includes a new control panel for selecting the video output format from Final Cut Pro X for output to devices such as broadcast quality monitors, HDTVs and projectors, so you can see exactly what your master will look like in television colorspace.
Desktop Video 9.2 beta 1 also includes Media Express 3.1 beta. Media Express provides capture, logging and management of video files to Final Cut Pro X compatible formats including ProRes and uncompressed video. Media Express features timecode accurate video capture from professional VTRs with RS-422 control, the ability to log additional metadata and to create custom bins for managing all project video media.
Final Cut Pro X 10.0.3 includes XML 1.1 for exporting primary color grades to DaVinci Resolve. This improved XML support makes it easier to move projects from FCP X to Resolve as any primary color changes carried out during editing can now be imported and applied automatically within Resolve. Once a project has been color graded with DaVinci Resolve it can be reopened simply within Final Cut Pro X for any further editing.
“We are extremely pleased to provide immediate support for the new monitoring feature in Final Cut Pro X 10.0.3,” said Grant Petty, CEO of Blackmagic Design. “Now working with Final Cut Pro X is even better since our customers can accurately view projects on whatever monitor they choose and can ensure that their final output meets crucial broadcast standards.”