Panasonic VariCam LT 4K Camera Chosen for Production of ‘Castaways’ on ABC
ABC’s Castaways, which was shot and produced by Nomad Entertainment using VariCam LT 4K cinema camcorders, is a revolutionary series testing the human need for companionship under extreme circumstances as each individual learns there are other castaways out there but are unaware of how many, their locations or when they will be rescued. This new reality series follows 12 diverse individuals as they’re dropped alone throughout various islets in Indonesia and challenged to survive among washed-up luggage, scattered resources, and abandoned structures. The show premieres Tuesday, Aug. 7 (10:00-11:00 p.m. EDT), on The ABC Television Network, streaming, and on demand.
Director of Photography Neil Moore supervised multiple teams of camera operators who shot the mini-documentaries in parallel, with up to 12 operators then assigned to the Indonesian location work.
Moore had previously shot with the VariCam 35, and showrunner Grant Kahler had used the VariCam LT. “The first two weeks of production we worked with larger cameras and bigger lenses, which just wasn’t conducive to our fast, cinema vérité style,” Moore recounts. “The LT was a very appealing alternative, especially because of its dual 800/5000 ISOs. We had no time for lighting, and we were working with predominantly natural light with plenty of dark interiors and exteriors. The camera’s ISO 5000 setting is so clean, and you can switch easily without having to ride gain.”
Moore said he routinely used ISO800 for daytime work in Indonesia, but with a significant number of “easy clicks over” to ISO5000, for instance, for a nighttime scene lit only by firelight.
The series was shot in AVC-Intra 4:4:4 1080p. “We gathered an incredible amount of footage, with 12 cameras simultaneously shooting eight hours a day,” Moore says.
“The tropical humidity was pretty insane, but we experienced no overheating or stopped files with the LTs,” he adds. “Beyond ruggedness and ease of use, other stand-out features of the cameras were the unique Focus Squares tool — a must, especially with the long lens work — and the on-camera control panel that can double as a monitor. The LT is, overall, a simple, intuitive camera.”
The VariCam LTs were outfitted with Fujinon Cabrio 85-300mm and Canon 17-120mm ENG-style lenses, with Sigma Primes used for some night work. The camera packages and lenses were rented from GQC Entertainment in Los Angeles, CA.