Audio for HBO’s Canelo-GGG Rematch Will Be Fast and Furious

Ambient and ring sounds, miked trainers, translators are part of the effort

The world’s two top middleweights, Canelo Alvarez and Gennady “GGG” Golovkin, return to the T-Mobile Arena in Las Vegas on Sept. 15 for a highly anticipated rematch, broadcast live on HBO PPV and in more than 450 movie theaters through Fathom’s Digital Broadcast Network (DBN). The action will be fast and furious, which is what will make the event’s audio spectacular, according to A1 Randy Flick.

“It will be one of the largest fights of the year for any network, and the fighters’ speed will make it the most exciting match,” he says. “As a result, it’ll have sound to match.”

Flick, who heads a crew of nine audio technicians, has a lot of audio sources to choose from. Ambience and ring action will be picked up by Sennheiser MKH 816 shotgun microphones on fish poles in the hot corners and Sennheiser 416 shotguns placed in the neutral corners and facing inward. The boxers’ trainers will be miked for the bout, wearing lavs from Shure’s Axient wireless system provided by Bexel, which is managing the event’s wireless systems.

Last September’s match between Canelo Alvarez and Gennady Golovkin was ruled a draw.

Overhead, an IMT Dragonfly cable-mounted camera will flit between corners and the center of the ring. There was potentially a traffic conflict with the overhead Audio-Technica BP4027 long stereo shotgun mic, so the overhead mic will be attached to a remotely controlled servo-motored reel that takes it out of the aerial camera’s path between rounds and brings it back in to pick up the fight action.

“There are no commercial breaks on pay-per-view,” Flick notes, “so, when ring action ends, we go right to the hot corners and cover those heavily with the 816s and lavaliers.”

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Besides the trainers and the fighters, viewers will also hear translators putting any Spanish or Russian (Ukrainian Golovkin’s native tongue) spoken in the corners into English in real time. Flick, who’ll be mixing on a Calrec Sigma console with Bluefin in NEP’s SS17 truck, says he’ll ride the audio between those in the corners and the translators carefully, letting viewers who speak those languages hear them enough of them to follow but keeping the English translations front and center.

“What I especially like about the translators that HBO uses is that they keep all the energy that the speaker himself is putting into a conversation,” he says. There are no verbal holds barred, he adds: “If a trainer is getting down