SportsTechBuzz at NAB 2024: Sunday’s Latest From Vegas
The NAB Show kicks off today, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. To make the flood of announcements easily digestible for our readers, SVG is sending you a daily roundup in SportsTechBuzz at NAB 2024, with all the top stories gathered in one easy-to-read blog.
Today’s edition features Appear, Arri, Audio-Technica, Blackmagic, Canon, CHEQROOM, Clark Wire & Cable, Disguise, Evertz, EVS, For-A, Forecast Consoles, Fujinon, G&D North America, Grass Valley, JVC, Program Productions, Q5X, Riedel Communications, RTS Intercom Systems, Sony, Telstra, and XLT.
CENTRAL HALL
Program Productions and XLT (Booth C2321) offer tech-enabled labor and payroll management with the proprietary ProCrewz mobile app and client portal system. NAB attendees will have the opportunity to interact with a remarkable team of experts in event labor management. Guests will enjoy a comfortable space and lively discussions about the challenges faced in the industry while discovering innovative solutions. Attendees will also be able to see in action the ProCrewz technology solution to optimizing labor management and operations across their organization.
Sony (Booth C8201) is announcing an integrated-lens pan-tilt-zoom camera, the BRC-AM7, with built-in AI analytics for advanced recognition. Highlights of the lightweight model include a 1-in. CMOS sensor for high-quality 4K 60p image performance, AI-enabled PTZ Auto Framing options, and seamless integration with the company’s system cameras and switchers, as well as color matching with the Sony ecosystem. The company’s Networked Live portfolio for remote and distributed production offers new functionality enabling the NXL-ME80 LAN/WAN media-transport appliance to work alongside the CBK-RPU7 remote-production unit in a 5G environment. For cloud operations, Sony is featuring enhancements to Ci Media Cloud and the DWA-F03D expandable adapter connecting to the DWR-S03D slot-in receiver to create a lightweight solution for field audio recording. The VERONA Crystal LED display demonstrates virtual-production workflows, including Cinematic 24p and 60p multicamera switching, and the Virtual Production Toolset, which enhances camera compatibility and synchronization between real and virtual.
Canon CJ27ex7.3B portable zoom lens
Canon’s (Booth C3825) big news for sports production professionals is the CJ27ex7.3B, its first 2/3-in. portable lens. Topping the list of features are a 27X optical zoom and the ability to span a focal range of 7.3mm to 197mm. With a built-in 2X extender, maximum telephoto reach increases to 394mm. Weighing around 4.5 lb., the CJ27ex7.3B lens offers the mobility of a conventional ENG lens. The 27X zoom ratio, typically available only in 2/3-in. box lenses, is now offered in a portable lens. “The lens also features a new e-Xs V drive unit with advanced features to support a variety of shooting needs,” says Josh Stoner, senior technical specialist, Canon U.S.A. “That includes an angled 20-pin connector to diversify shooting setups and serial communication via the 12-pin cable.
The big news from Grass Valley (Booth C2308) is the launch of the Maverik X software-based production switcher. Available to run on local, hybrid, or cloud compute, it supports combined uncompressed and compressed inputs and outputs, with full 10-bit UHD HDR workflows, automatic up/down/crossconversion, and HDR LUT mapping. Maverik X can be controlled via fully customizable HTML5 user interfaces on PC and tablet devices, in addition to Grass Valley’s modular Maverik switcher panel, providing a familiar operator experience while allowing freedom in panel design. Also on exhibit are enhancements to the LDX 100 Series broadcast camera platform and the K-Frame video-production switchers.
Fujinon (Booth C5325) is highlighting introduction of the third Duvo Series lens, the Duvo HZK14-100mm portable PL-mount zoom. It delivers 7.1x zoom, covering 14-100mm, a focal range frequently used on set. The built-in expander shifts focal length by 1.5X to 21-150mm, allowing users to capture even the most expansive environments. At 10.5 in. long (266.9mm) and 5.8 lb. (2.65 kg), Duvo 14-100mm is compact and lightweight, easily portable for all types of live production. It is fully compatible with Fujinon portable broadcast lens zoom and focus demands and can be shoulder-operated, used on a Steadicam, or remotely operated.
JVC (Booth C4720) always has plenty of great camera systems on display, but this year one of its hot products is the KM-IP12S8 Series Connected CAM vMix studio switcher lineup. The complete video-production solution provides live mixing, switching, recording and streaming. Comprising the KM-IP12S8 and the KM-IP12S8PRO, the series is suited to a variety of multicamera, fast-paced applications, such as live sports and event production. According to Joseph D’Amico, VP, JVC Professional Video, the switchers combine the most ubiquitous technology in the industry to create seamless hardware connectivity and support at a price point accessible by a wide scope of users. The switchers come standard with licensed versions of either vMix 4K or vMix Pro live-production and streaming software, which are among the industry’s most popular production solutions. Additionally, resolution and imagery are optimized for live programming in SD up to full 4K 60P, across an array of traditional and personal viewing devices.
Riedel Communications (Booth C4907) is showing a significant expansion of its RiCapture line of ingest solutions with the addition of RiCapture i8, i44, and i84. Complementing the RiCapture i4, these new products bring increased channel density and/or UHD resolution, 8- and 10-bit support, expanded internal SSD storage, and a series of advanced functionalities to the RiCapture platform. “As a complete suite for multichannel ingest, recording, capture, and transfer to postproduction, RiCapture caters to a wide range of markets — from sports, concerts, and theaters to motion-picture applications,” says Bernard Stas, product manager, live video production, Riedel Communications. “Accommodating UHD resolutions and a variety of formats, such as 23.98 fps and 29.97 fps, the newly expanded RiCapture family sets the bar for high-quality ingest solutions at an exceptionally competitive price.” In all configurations, RiCapture offers high-quality recording in DNxHD or DNxHR, along with H.264 4:2:0 and 4:2:2 encoding to the local storage. Local recording storage offers continuous-loop recording for the captured content, with options to stream manually, stream with a scheduler, or clip and export files as needed from available local storage to numerous streaming destinations.
Powering transportation of physical equipment via the Enterprise Asset Management software platform, CHEQROOM (Booth C8719) serves an industry consistently on the go. Providing control and customizable services for a variety of client needs, the company is highlighting an increase in efficiency and a decrease in asset loss and project delays. With real-life case studies, including a $500,000 saving in assets during the 2022 FIFA Men’s World Cup in Doha, Qatar, the company illustrates streamlining operations and knowing where materials are at any given time. Besides making prompt delivery and assurance a priority, CHEQROOM enables users to extend the lifespan of their assets.
Servicing the sports-video–production industry and the live-event experience since 1989, Clark Wire & Cable (Booth C4107) is highlighting its continued support of cabling and connectivity. The newest addition to its cable arsenal is the DSM_UHD series coax snake, which features precision 12-GHz miniature 23AWG for 8K and 4K UHD transmission data. Also on display is Clark’s full line of configurable systems, including 8-channel SMPTE splice enclosures, which change the industry standard for stadium and arena hybrid fiber camera installations. In addition, the MPAS system offers a modular design with up to eight connections using various combinations of SMPTE 304M plugs, sockets, opticalCON, or other specified formats.
Since 1978, Forecast Consoles (Booth C7708) has helped broadcasters, sports venues, and other production companies with physical facilities. Specializing in furnishing production areas and control rooms with desks, work surfaces, and more, the company is highlighting custom designs, finishes, and LED integration. Offerings include its podcast, MasterVision, GCX Continuum, and Sightline product lines.
Known as a reliable provider of high-end KVM and video-processing equipment for more than 35 years, G&D North America (Booth C2820) is showcasing its extensive array of products aimed at enhancing broadcast workflows. Particularly notable is the PersonalWorkplace-Controller, which enables flexible organization and operation of video inputs across one or multiple displays and supports resolutions of up to 5K at 60 Hz. PersonalWorkplace-CPU ensures compatibility with traditional broadcasting setups and enables users to maintain their current infrastructure while expanding capabilities with modern digital video and streaming sources. Visitors to the booth can explore solutions optimizing broadcast workflows, flexibility, and performance.
For-A (Booth C4507) has unveiled a series of updates to its SOAR-A platform, reinforcing the company’s commitment to the evolution of the software-defined IP solution. Enhancements include the ability to incorporate JPEG XS and AV1 in SOAR-A Edge, an IP transport appliance, and the evolution of the SOAR-A Play software-based media-server line to include up to 8-channel capability for NDI, 3G, and SMPTE ST 2110. CG and graphics engine SOAR-A Graphics, meanwhile, now supports the MOS protocol for communications between newsroom computer systems and newsroom equipment, such as video servers, still stores, and character generators.
Arri Live Production System LPS-1 camera adapter/base station
Focused on live production, Arri (Booth C6325) showcased the launch of the ALEXA 35 Live – Multicam System at its press conference yesterday. The system is intended to provide sports producers with the ability to capture cinematic images and a shallow depth of field and, the company said, will “seamlessly” integrate into existing live-production environments. The ALEXA 35 Live – Multicam System combines the new ALEXA 35 Live camera with the new Live Production System LPS-1, which comprises a fibre camera adapter and fibre base station. According to Arri, the system is open to support a range of remote-control panels, but the recommended panel is Skaarhoj RCP Pro Arri V2B, which provides full control over frame rate, start/stop recording, playback, selection of looks and other camera functions. Three packages — entry, standard, and pro — with pricing to be determined after conversations with potential customers at NAB 2024.
Q5X adds firm baton- and momentary-button-style switches to its line of switched transmitters.
MLB umpires already wear a lot of protective gear during games. Now, with on-field audio becoming an increasingly large part of the broadcast-sports experience, those electronics can add to the umps’ load. Q5X (Booth C6516) is addressing that with the ToggleMic and PushMic, launched in March 2024 for MLB umpires through CP Communications. “The introduction of the ToggleMic and PushMic onto the MLB umpire’s belt reduces the gear they strap on for a game,” says Q5X owner Paul Johnson. “Until now, umpires typically wore two packs: the transmitter and the mute switch. For a game official, the ToggleMic and PushMic mean less bulk at the waist and the confidence that what they say reaches the intended audience. Leagues understand the need to balance the fan desire for miked-up wireless audio from the game with the practical functionality required by officials or athletes wearing the gear.” The two products expand Q5X’s switched-transmitters option beyond the existing CoachMic rocker switch to add a firm baton-style or momentary-button-style switch, respectively. The third new transmitter is the AquaMic XL, boasting a 32-hour battery life while also being fully waterproof (IP68 rated to 100 ft).Sports-broadcast audio is about the technology, for sure, but it’s also about facilitating access to that technology.
Audio-Technica’s new Broadcast Audio Rental Program enables short-term use of selected mics and studio and headset products.
Audio-Technica (Booth C5532) is doing exactly that, announcing at the show its new Broadcast Audio Rental Program. Users in all 50 states can rent selected A-T shotgun and handheld mics and studio and headset products for location and studio use on a short-term basis with no obligation to purchase. The new rental program provides access to an extensive inventory of A-T’s top-of-the-line broadcast-audio equipment, including mono, stereo, and immersive audio microphones and selected wireless systems. Renters can choose from a variety of options to suit their specific requirements: the program offers customizable rental packages to meet the specific needs and budget constraints of the client. Brent Chamberlin, sales engineer, broadcast, Audio-Technica, calls the program “a significant milestone in our ongoing commitment to providing comprehensive and cutting-edge solutions for our broadcast clients. Adds Gary Dixon, director, broadcast business development, Audio-Technica, “Audio-Technica mics are found on many of the award-winning broadcast productions, and, with the new Broadcast Audio Rental Program, we want to support existing and up-and-coming producers with access to our top products.”
MLB umpires already wear a lot of protective gear during games. Now, with on-field audio becoming an increasingly large part of the broadcast-sports experience, those electronics can add to the umps’ load. Q5X (Booth C6516) is addressing that with the ToggleMic and PushMic, launched in March 2024 for MLB umpires through CP Communications. “The introduction of the ToggleMic and PushMic onto the MLB umpire’s belt reduces the gear they strap on for a game,” says Q5X owner Paul Johnson. “Until now, umpires typically wore two packs: the transmitter and the mute switch. For a game official, the ToggleMic and PushMic mean less bulk at the waist and the confidence that what they say reaches the intended audience. Leagues understand the need to balance the fan desire for miked-up wireless audio from the game with the practical functionality required by officials or athletes wearing the gear.” The two products expand Q5X’s switched-transmitters option beyond the existing CoachMic rocker switch to add a firm baton-style or momentary-button-style switch, respectively. The third new transmitter is the AquaMic XL, boasting a 32-hour battery life while also being fully waterproof (IP68 rated to 100 ft).
RTS Intercom Systems (Booth C3810) previewed a major new software ecosystem for intercom configuration, control, and system monitoring. The first installment of the software suite, scheduled to launch later this spring with regular iterative additions planned thereafter, significantly enhances the user experience with new workflows. Key features include Intercom Manager, allowing users to see all available intercom resources locally as well as globally, with the ability to assign any resource to devices through a simple drag-and-drop workflow, and Intercom Resource Search Engine: users can quickly find any resource available in the Intercom Manager by simply typing in the search field. “While leveraging the proven performance of our existing AZedit software for RTS matrix systems,” says Guy Low, manager, creative and public relations, ElectroVoice/RTS/Bosch, “this new software significantly enhances the user experience with new workflows to ensure even faster and even more clear configuration and operation of their intercom system.”
SOUTH HALL
EVS (Booth SU4015) is an NAB Show must-stop for attendees in sports-content creation, and, at this year’s edition, the company is unveiling a licensing system for its flagship server XT-VIA with three distinct modes: Multicam, Spotlight, and Spotbox. The goal is to make it easy for clients to easily scale up or down according to production needs. And AI plays a big role in products and services, including generating slow-motion replays from any camera on a production via XtraMotion. That service is being demonstrated, along with other AI-driven effects like deblurring, auto-cropping, and shallow depth of field. For attendees looking to easily move from SDI to IP, the Strada routing solution serves as a drop-in replacement for SDI routers and is built on an IP backbone for smooth transition to IP, and Neuron View enhances Neuron’s comprehensive features, with flexible, high-quality scaling and low-latency multiviewer. Its web interface allows full customization, catering to the specific needs of demanding live-production environments.
Blackmagic (Booth SL5005) is getting into the video-replay business with Blackmagic Replay. It uses multiple HyperDecks to record into shared storage, and DaVinci Resolve is connected to the same shared storage as a powerful playback engine. However, the company says, the true power comes from having DaVinci Resolve handle the playback, making it an extremely powerful editor with multi-user collaboration features as well as color correction, visual effects, and audio postproduction. A hardware control panel available in May combines features for both replay and multicam editing, allowing the same operator to work on replays while loading them into the timeline via the keyboard’s editing features. The panel can connect via USB or Bluetooth, and the large internal battery lasts for hours. In addition, a new range of converters with mini and rack-mount models supports Ultra HD using 10G Ethernet. Designed to integrate SDI equipment into IP broadcast systems for broadcast, live production, and AV, the new Blackmagic 2110 IP converters conform to SMPTE ST 2110 standard for IP video.
Evertz’s Mo Goyal at the company’s press conference on Saturday
Live media is a key area of R&D investment for Evertz (Booth SU2027). Previewing new products and services for live production at a press conference on Saturday, Senior Director, International Business Development, Mo Goyal said, “We started with DreamCatcher, and then we expanded that to BRAVO Studio for production. Now with Studer [acquired by Evertz in 2021], we have both video and audio, which we can build because [live] is an area where we can offer some new insights.” He highlighted new data-driven co-pilots for Evertz’s DreamCatcher BRAVO Studio virtual-production-control suite: Metadata and Highlight Factory provide the ability to automatically create clips, playlists, and stories using AI with large language models and deep machine-learning technology. The new DreamCatcher DC-ONE platforms (DC-ONE-SE and DC-ONE-LX) for entry level and mid-tier replay applications were also discussed.
WEST HALL
Telstra’s (Booth W2213) team of media experts are on hand to help broadcasters and media and entertainment companies take their content global through the company’s media network and end-to-end managed services. The offerings: Network Connectivity, including a global media network for video contribution and distribution; an internet Delivery Network for high-quality video and live broadcast streams across the public internet; a Special Event Network for designing, planning, and executing world-class major events; and 5G Innovation using 5G slicing to deliver content. Attendees can learn more about Telstra’s managed services: Media Production Platform for playout, Remote Production, Localisation and Media Conversion; Virtual Advertising for broadcasters and rightsholders to offer localized ad targeting; Media Content Operations for media digitization, media-asset management, and storage; and OTT Streaming Services for live ingest, transcoding, encryption, packaging, CDN, and more.
Andy Rayner, chief technology officer, Appear (Booth W2130), a media-processing and content-delivery specialist, will be speaking during NAB 2024. Yesterday, he delivered the keynote “Navigating Security in the Live Distributed Production Landscape” as part of the NAB Broadcast Engineering and IT Conference and participated in the panel “Fostering Collaborative Supply Chains” as part of the Media Tech Sustainability Series. On Monday, he will take part in the IABM State of the Industry Conference at 8 a.m. and the panel “Navigating Time. When Is Real Time No Longer Real Time — and Does It Matter?” at the NAB Broadcast Engineering and IT Conference at 10 a.m. At 10:45 a.m. Monday, he will share his thoughts during the “Elevating Live Production: Harnessing Emerging Media Technologies” panel at the NAB Connect, Capitalize, and Create Zones. Prior to the show, Rayner said, “At NAB Show 2023, Appear launched professional-grade SRT; now, a year later, we will demonstrate how and why SRT is rapidly becoming the preferred protocol for contribution and primary distribution, with Appear the No. 1 high-capacity SRT solution provider. The CAPEX and OPEX advantages of our hardware-accelerated SRT solution makes Appear the clear choice for scalable internet contribution and distribution, which is critical for our future success, as the industry evolves towards a software-based hybrid-cloud future.”
OTHER
At NAB 2024, Disguise is introducing its Porta broadcast-graphics controller, which has been upgraded for Unreal Engine 5.4. In addition, the company’s end-to-end xR and virtual-production technology is on display at six booths across the show. ROE Visual (Booth C4535) is displaying Disguise’s VX 4+ and VX 2 servers and RX II render nodes, which power two LED stages to showcase the latest advances in XR and how these technologies can be integrated into broadcast workflows. INFiLED (Booth C6935) and Kino Flo (Booth C6430) are demonstrating how Disguise enables content playback, Unreal Engine graphics control, and extended reality in broadcast workflows. Studio B&H (Booth C7916), AOTO (Booth C6130) and RED (Booth N202LMR) show how Disguise enables cinematic virtual production with unlimited LED content display and control.