— Broad range of seminars to cover topics from network fundamentals for audio engineers to the latest advancements in AES67, ST 2110 and other emerging standards and protocols — New York, NY, September 28, 2018 — As audio signal delivery migrates from traditional cabling to media networks, the AES New York 2018 Networked Audio Track […] More
— Preserving the Prince archives, bringing classic multitrack recordings to the classroom, new standards for high-resolution music delivery and much more to be covered at the AES’s 145th International Convention — New York, NY, September 14, 2018 — From archiving the musical legacy of Prince to making classic multitrack tapes available for educational purposes to […] More
Television in Transition: Expanding Possibilities for Audio Thursday, October 18, 2018 1:00 p.m. to 4:00 p.m. Room 1E13 The entire television consumption and distribution ecosystem is being transformed at breakneck speed. Ubiquitous and cheap wireless and broadband networking; smart TVs and mobile devices; and massively-scalable cloud computing are building a completely new entertainment distribution system practically overnight, […] More
— The AES New York Convention will celebrate the Audio Engineering Society’s 70 years of pro audio innovation with over 330 sessions and workshops — New York, NY, August 31, 2018 — The AES New York 2018 Technical Program – the highlight of the AES’s 70th Anniversary year – offers the ultimate audio experience, spanning all audio specialties and topics, […] More
— Call for Contributions; Program Organizers, Academies and Tracks Announced — — Building upon last year’s inaugural event, the four-day international symposium returns to Anaheim, CA to run concurrently with The 2019 NAMM Show — New York, NY, August 23, 2018 — Following its successful premiere at last year’s NAMM Show in Anaheim, CA, the […] More
— Thomas Dolby’s AES Opening Ceremonies Keynote address “The Conscious Sound Byte” will focus on next-generation sound technologies, in particular adaptive/non-linear music and audio for games, VR/AR, “hearables” and other new media platforms — New York, NY, August 13, 2018 — The Audio Engineering Society is delighted to announce that Thomas Dolby will deliver the […] More
— Keynote speakers to include experts from Magic Leap, Facebook Reality Labs, and Microsoft Research Labs Redmond — New York, NY, July 30, 2018 — The Audio Engineering Society is pleased to announce the second International Conference on Audio for Virtual and Augmented Reality, taking place August 20-22, 2018, at the DigiPen Institute of Technology, […] More
— Alongside its flagship technical program, the 145th International AES Convention offers all attendees three days of gear exhibition and pro audio presentations covering live sound, recording, broadcast and beyond — New York, NY, July 25, 2018 — Audio Engineering Society conventions connect audio engineers, producers, artists, and enthusiasts with the latest research and information, […] More
Variety.com reports that the familiar phrase “We can fix it in post” covers a multitude of headaches that might arise during production. But reality-TV series like Discovery’s “Deadliest Catch” and CBS’ “The Amazing Race” don’t have that luxury, particularly when dealing with sound recording. As “Deadliest Catch” exec producer R. Decker Watson says, “We need […] More
TVTechnology.com reports that by now, you’ve heard that AES67 is part of the SMPTE 2110-30 standard and that all the major IP audio vendors offer this audio transport standard as part of their system. The AES67 format will be useful for streaming audio between the control room and the master control and there’s good reason […] More
