There has been significantly increased focus on sound systems installed in sports venues in recent years, and, in some cases, major PA-systems manufacturers have adapted entire product lines around this […] More
Under an “UpTrade” program launching this month, customers will be able to trade in their existing Linear Acoustic equipment for a credit to be used toward the purchase of a […] More
The March 7 spring-training telecast of the Cleveland Indians and Arizona Diamondbacks game on the MLB Network will mark a milestone in broadcast audio: the first time live audio content […] More
Thanks to persistent rains over central Florida, NASCAR’s opening number, the Daytona 500, sounded a bit different when it ran on Monday night after a 36-hour delay. That slightly different […] More
Studer has announced loudness metering for all its Vista broadcast-audio consoles. This is a result of collaboration with RTW, which is providing a special version of the TM7 touchscreen meter […] More
The NBA has long understood the synergy between the game and music — after all, rappers Nelly and Jay-Z have ownership stakes in NBA teams (the Charlotte Bobcats and New […] More
Referee microphones need volume and clarity, but increasing loudness through distributed stadium PA systems risks feedback. Jack Bowling of ATK AudioTek, the sound reinforcement provider at both the Rose Bowl […] More
It’s a mature market sector, but shotgun microphones continue to get incremental refinements to their operation, and major product releases are expected at NAB in April. Here’s what the lay […] More
The mono shotgun microphone has been the workhorse for long-distance pickup in sports broadcasting for decades. The interference tube — a ported tube with a mic capsule at the bottom […] More
Steve Fisher is the manager of the international audio-distribution feed at Super Bowl XLVI in Indianapolis, but he prefers the grittier title of “traffic cop” for the scores of feeds […] More
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